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Nothing here feels out of place in the least.Ultimately, the more politically-charged & Afro-centric vibe's that "Blowout Comb" held over "Reachin." may be the reason it didn't enjoy the mainstream success of it's predecessor. The production, which favors live instrumental jaunts and free-flowing jams that relate to everything from pop-jazz to the pureness of bop, is simply superb. Pure and simple. Two of the most superb cuts are stuck on the end - the chart-hitting, James Brown inflicted "9th Wonder (Blackitolism)" & the 7-minute anthem "For Corners".
Fresh off of the grammy-success of their debut "Reachin' (A New Refutation of Time and Space)", DP hit the studio again to release their most artistic vision of their painfully short-lived career in 1994. Classic. There's a few reasons that Digable Planet's sophomore album "Blowout Comb" is one of my top 10 favorite hip-hop albums ever made. First and foremost, the mix of jazz & hip-hop, in my opinion, is one of the most organic and natural mash-ups of two genres I've ever heard. Much of that is thanks to King Britt's exquisite vision as the group's producer/DJ. In fact, as it moves, it feels as if it only gets stronger throughout it's 62-minutes in length.
Artistically, the Planets prove they are no fluke, and "Blowout Comb" deserves any and all recognition it receives as being one of the finest hip-hop albums ever made. "Dog It" is a favorite due to the absolutely lush horn samples. The guest choices are also fantastic. "Jettin'" is also a favorite, and it's just one of roughly five time Bob James is sampled here. The production is a marked improvement here, as well as the rapping from Butterfly, Doodlebug & Ladybug Mecca. Guru shows up on "Borough Check", and Jeru The Damaja shows up on "Graffiti" - both excellent tracks that never detract from the album's golden feel. And one could argue that "Blowout Comb" is the purest mixture of these elements.
"Dial 7 (Axioms Of Creamy Spies) / NY 21 Theme" featuring Sarah Anne Webb also enjoyed some well-deserved time on the charts. Ladybug Mecca in particular is arguably my favorite female rapper in the game (skills and looks.lol), and Doodlebug as well as Butterfly more than hold their own under a blanket of originality.The album never lulls. Their artistic vision is considerably richer on their sophomore effort, although it never reached the commercial heights of their debut. Their content is sharper, consciously sound, and their flows are more remarkable & focused than ever before.
i was so disappointed when vibe came out with their book on female mc's and did not include her in it once. the art cover, photos, and liner notes that came from DP on this album was hotness.i miss them and i hope that they will come back. their solo efforts are great, but theyre gifts compliment each other, the chemistry between the 3 of them is crazy.and by the way, am i buggin or is Lady Bug Mecca one of the most slept on female mc's ever.her lyrics and metaphors is fire.her style is hotness. i remember when i first purchased this album. unfortunate. it has the same effect on me now, and i recently purchased the compilation album which was also great w/the unreleased songs from this album. once i heard it, i couldnt stop listening to it. the bling of rap music's commercialism is one of the reasons why this album was slept on, on top of the fact that pendulum just didnt promote this the way they were supposed to.
It's almost depressing to listen to because this album makes you realize just how incredibly horrible hip-hop has become since. Got this album when it first came out, then let someone borrow it and never saw it again. The DP's are artists in every sense and each track on this album is lovingly crafted and the whole thing just resonates with fierce creativity and a sensitivity not found anymore in this once groundbreaking genre that isn't so groundbreaking anymore. Of course, there's the ever-present but useless debate about which DP album is better but it just doesn't matter anymore. I just recently picked it up again. After listening to the whole thing through, I realized that this has to be the most nuanced hip-hop album ever made.
This album is a must have for anyone who likes real hip-hop. Well this is the fourth time I've bought this album, but if something happens to this copy I will be happy to buy it again. It's just that good.
I loved it and subsequently went to their concert. I then went out and bought a CD: it got played so much that my CD player damaged it.
This is the only album that I've ever bought a record 3 times. I've yet gone out and bought the CD yet again and this time play it on MP3.
I first got hooked on this abum in my college days in the mid 1990's. The first of this album that I bought was a cassette tape which got played so much that it broke.
It's that good.Now years later, I have yet to hear anything quite like this.Long live the Dig P's. It's awesome: rap, jazz, hip hop and infectious grooves all mixed together.
The concert was an out-of-this world experience - 25 piece band and all.
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